Some of those may no longer carry the signature of stock fractal artworks. This may be because I don’t mean to repeat myself with the limited array of basic algorithms I’ve got at my disposal. Perhaps the common thread was the effect of white patches blurring structures and colours.

“Ornamental” looks quite different with its one-dimensional patterns and rather cheerful colours. No doubt my drafts have become simpler, perhaps more efficient concerning their use of stylistic means. Less room for interpretation (like the question who Nastasya Filippovna might be in reality or whether her involvement was a red hairring without any relationship to actual events at all – just to make the articles look more interesting…), more like thought and form experiments.